Three steps to place an écu
Read the king. The obverse legend begins with LUD. and a numeral: XIII, XIIII for Louis XIV, XV or XVI. It is the first clue and the most reliable one.
Weigh it. A Louis XVI écu should come close to 29.49 g. A coin of 30.5 g points to the end of Louis XIV or the start of Louis XV; at about 24 g, think of the France-Navarre écu of 1718-1720, which is not necessarily worn. A gap of more than a gram that you cannot explain deserves a closer look.
Find the letter. On the reverse, below the shield or in the middle of the cross, a letter or symbol names the mint. Our numismatists can identify it during a free valuation.
The Regency and its shifting weights
When Louis XIV died in 1715, the new king was five years old. The first écus of the reign, known as vertugadin, kept the high 30.59 g standard and were largely struck on older coins: on some, traces of the earlier design remain visible at the top of the head.
In 1718 came the France-Navarre écu, much lighter, with a shield shared between the lilies of France and the chains of Navarre. During John Law's system, value and weight then changed several times; the vertugadin, for instance, was raised to 15 livres in July 1720 before being demonetised in September.
Only in 1726, under Cardinal Fleury, did a stable 6-livre écu return, and its weight did not change again until the Revolution.
Overstrikes, privy marks and period forgeries
Under Louis XIV and early Louis XV, the state chose to restrike old écus rather than melt them down. These reformed flans show fragments of the old legend: a historical feature, which catalogues distinguish from strikes on new blanks.
The small symbols slipped into the legends, the privy marks, identify the mint director and the engraver, and they create varieties within one date. The BB mint's écus of 1792-1793 thus read “FRANÇAIS” instead of “FRANÇOIS”.
As for counterfeits, eighteenth-century fakes are often cast or plated: too light, porous surface, badly formed edge letters. Recent copies target sought-after types and give themselves away with a mushy relief and an approximate diameter.
The écu's relatives
Before 1640, the écu was a gold coin, decorated with a sun and without a portrait: nothing like the big silver piece. In the nineteenth century, the name survived for the silver 5 francs, easy to recognise by its French legend and its 25 g weight.
The half écu faithfully repeats the écu's design on a flan of about 14.7 g and 30.5 to 33 mm. The smaller fractions look much alike: scales settle the question better than the eye.
Finally, the olive-branch écu crossed borders: in southern Germany and Switzerland it was called the Laubtaler, and some carry a Bern countermark. These are genuine French écus.
Wear, toning and holes
Look first at the hair just above the ear, then the cheek and shoulder: these are the first reliefs to fade. On Louis XVI écus, the embroidery of the coat disappears early and gives a good idea of circulation.
On the reverse, watch the crown above the shield. If its pearls run together and the olive leaves no longer stand out, the coin was in use for a long time.
Many écus were pierced to be worn as pendants or rubbed to make them shine. Cleaning shows up as micro-scratches and an over-bright white; an even toning, by contrast, is sought after. Leave the coin as it is.